Filmmaker Pa. Ranjith, celebrated for his bold cinematic critiques of caste oppression and his vocal advocacy for social justice, now faces mounting criticism for his refusal to address decades-old allegations of sexual predatory behavior against writer-actor Shobasakthi. Context: An ad hoc feminist collective comprising over 100 women activists, artists, writers, and scholars from India, Sri Lanka, Canada, Europe, and beyond has issued a strong condemnation statement against Tamil writer and actor Shobasakthi, accusing him of systemic sexual exploitation, manipulation, and abuse of power. The statement, released on April 13, 2025, details testimonies from multiple survivors primarily women and queer individuals who allege that Shobasakthi leveraged his reputation as a progressive, Periyarist Marxist intellectual to groom and exploit them professionally and personally. The statement outlines a pattern of abusive behaviour spanning decades. Pleas...
I have always been very clear about my position on Dravidam and Thanthai Periyar as a Tamil Nationalist. But since this a question that keeps coming up again and again, i thought ill put it in writing. My problem with Dravidam is not related to its ideology. I don’t see Dravidam and Tamil Nationalism as conflicting ideologies; I see them as ideologies that complement each other. My criticism of Dravidam is purely restricted to its claim as an alternative to the 'Tamil' identity or the political identity of the Tamil Nation. The idea that we should identify ourselves primarily as Dravidians is something that I don’t agree with, and the whole notion that the Dravidian identity is necessary to highlight the casteless nature of the Tamils is utter bullshit. Secondly, my criticism of Dravidam is related to the Dravidian political brand in electoral politics, which paved the way for the institutionalization of caste (as Prof. Tho. Paramasivan himself established in his...